01825cim a2200301 a 4500001000800000005001700008007001500025008004100040019001300081033001300094040002700107043001200134100002600146245011200172260001000284300008300294440003000377506021500407518003200622520067200654600004001326650003501366650003701401650002201438656002101460710002001481984002201501185754920031127183028.0st omncmbinnbe000502s1981 xx nnn t eng d1 a2146354300a19810310 aANL:ObengcANL:OdANL au-at---1 aConnor, Kevin,d1932-10aInterview with Kevin Connor, artist, for the Australian Eye, series 5h[sound recording] /cFilm Australia. c1981. a1 sound tape reel (ca. 45 min):banalog, 3 3/4 ips, half track, mono. ;c7 in. 0aAustralian eye.nSeries 5 aAccess open for research only; as copyright rests with Film Australia all requests for copies & public use to be made to Film Australia; permission from interviewee or their estate also required for public use. aRecorded on March 10, 1981. aKevin Connor, artist speaks about his forthcoming exhibition; what size & shape canvas works best for him when painting a portrait; how his environment influences his work; how he chooses his subjects; his views of the value of inspiration for an artist; why he uses the concept of a frame within -a-frame in his work; his method for painting a portrait; his opinion of what true art consists of; why he stopped painting in oils & changed to acrylic paint; importance of what he terms visual thinking as opposed to intellectual thinking for an artist; the effect that the work of past artists can have on contemporary artists; how he regards the process of painting.10aConnor, Kevin,d1932- vInterviews. 0aArt, Australiany20th century. 0aPainterszAustraliavInterviews. 0aPainting, Modern. 7aPainters.2lcsh.2 aFilm Australia. aANLcORAL TRC 946