01922cim a2200373 a 4500001000800000005001700008008004100025019001300066033002300079035001700102035001200119035001200131040003400143042000900177043001200186100003500198245006700233260001000300300007700310500006700387506006200454518004800516520059200564530008201156555005901238600004201297600002101339610002301360650004301383656002601426700003401452856003901486984002301525203559820090317132100.0950202s1994 xx nnn tn eng 1 a1136986810a19941110a19941111 9000011369868 92226514 a2035598 aANL:ObengcANL:OdANL:OdANL aanuc au-at---1 aSager, Peggy,d1924-2002.4ive10aPeggy Sager interviewed by Michelle Potterh[sound recording]. c1994. a4 sound tape reels (ca. min.) :banalog, mono. ;c3 x 10 in. + 1 x 7 in. aPreservation, working duplicate and user cassette copies made. aAccess open for research, personal copies and public use. aRecorded on Nov. 10-11th, 1994 in Canberra. aSager, a dancer and teacher, speaks of her family background, recollects her early stage experiences and early technical classes, her life during the Depression, her early teachers, how she moved from New Zealand to Australia, how she took classes with Helene Kirsova, surviving as a dancer in Sydney in the 1940's, Kirsova's working methods, Anna Pavlova in New Zealand in the 1920s, joining the Borovansky Ballet, early Borovansky dancers and repertoire, the differences between the Kirsova and Borovansky companies, and Borovansky's productions such as Terra Australis and Petrouchka. aAlso available online via the Internet at: http://nla.gov.au/nla.oh-vn20355980 aCorrected transcript available (typescript, 71 leaves)10aSager, Peggy,d1924-2002vInterviews.10aKirsova, Helene.20aBorovansky Ballet. 0aBallet dancerszAustraliavInterviews. 7aBallet dancers.2lcsh1 aPotter, Michelle,d1944-4ivr41uhttp://nla.gov.au/nla.oh-vn2035598 aANLcORAL TRC 3157