02033cid a2200361 a 4500001000800000005001700008008004100025019001200066033001300078035001600091035001200107040002700119042000900146043001200155100002200167245012300189260001800312300006100330306001100391500008800402506013300490518004400623520055200667530010801219555005101327600002901378650004301407650004301450700003601493773006701529830005201596984002301648228405620091105114606.0910919s1990 xx nnu tn eng 1 a764893910a19901118 9abn91271804 91923398 aANL:ObengcANL:OdANL aanuc au-at---1 aBain, Keith.4ive10aKeith Bain interviewed by Shirley McKechnie for the Australian choreographers oral history projecth[sound recording]. c1990 Nov. 18. a5 tape reels (ca. 150 min.) :b7 1/2 ips, mono. ;c7 in. a023000 aPart of a series of interviews by Shirley McKechnie with Australian choreographers. aAccess open for research; written permission required for personal copies and public use during the lifetime of the interviewee. aRecorded in Sydney on 18 November 1990. aBain, dancer and choreographer, speaks about the effect of Bodenweiser's death in 1959; the Katherine Dunham Company; the new Boderweiser studio; the students; his teaching methods; Ballet Australia; the influence of visiting American dance companies; teaching movement to actors; teaching at the National Institute of the Dramatic Arts (NIDA); Armidale summer schools; current dance training techniques; his involvement with the International Theatre Institute; One Extra Company; Australian audiences and critics; his own feelings towards dance. aDigital master;bNational Library of Australia, Oral History and Folklore collection;dnla.oh-2649-00000 aUncorrected transcript (typescript, 66 leaves)10aBain, KeithvInterviews. 0aChoreographerszAustraliavInterviews. 0aDance teacherszAustraliavInterviews.1 aMcKechnie, Shirley,d1926-4ivr0 tAustralian choreographers oral history projectw(AuCNL)3919928 0aAustralian choreographers oral history project. aANLcORAL TRC 2649