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Peter Dymond-Ramplin and Sarah Dymond-Ramplin interviewed by Alex Hood and Annette Hood in the Alex Hood folklore collection [sound recording]
Bib ID 4503316
Format AudioAudio
Author
Dymond-Ramplin, Peter, 1945-
 
Access Conditions Access open for research, personal copies and public use. 
Description 2008. 
1 sound file (ca. 66 min.) 
Series

Alex Hood folklore collection.

Summary

Folkloric recording. Peter Dymond-Ramplin, born in Victoria, talks about his schooling; family background; his trade; work experiences; his music influences; his first performance and first musical instrument; family singalongs; his marriage break-up (1977) leading to his involvement in Mackay Folk Club; his performances, local and overseas; performing Australian material; Palm Creek Festival; Burdekin Bush Band; his performances and repertoire; a booking in London and other performances; busking in Townsville; his philosophy of life, other aspects of his work; his love of his dog, Sumo; he performs some of his material; Martin Pearson; Folk Festival performances; Lagerphone; his attitudes to life and his family heritage. Sarah Dymond-Ramplin talks about her music.

Partial contents
  • Story about his dog, Sumo. Sings: Farmers boy
  • Travelling down to Castlereagh
  • Billy of tea (with daughter Sarah)
 
Notes

Recorded on 3 September 2008, in North Ward, Qld.

Digital master; National Library of Australia, Oral History and Folklore collection;

Index/Finding Aid Note Timed summary (3 p.) 
Subjects Dymond-Ramplin, Peter, - 1945- - Interviews.  |  Dymond-Ramplin, Sarah, - 1979- - Interviews.  |  Musicians - Queensland - Interviews.
Other authors/contributors Dymond-Ramplin, Sarah, 1979-  |  Hood, Alex, 1935-  |  Hood, Annette, 1948-

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    Details Collect From
    ORAL TRC 5682/47
    Copy: Recording
    Petherick Reading Room (Oral History)
    ORAL TRC 5682/47 (summary) Petherick Reading Room (Oral History)
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    Members of Aboriginal, Torres Strait Islander and Maori communities are advised that this catalogue contains names and images of deceased people. All users of the catalogue should also be aware that certain words, terms or descriptions may be culturally sensitive and may be considered inappropriate today, but may have reflected the author's/creator's attitude or that of the period in which they were written.