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03435cim a22003497a 4500 |
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5894084 |
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20120614133928.0 |
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120418s2012 xx nnnn s t| eng |
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|a20120409|a20120410 |
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|aANL|beng|dANL |
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|aanuc |
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|aStock, Gailene,|d1946-|4ive |
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|aGailene Stock interviewed by Michelle Potter|h[sound recording]. |
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|c2012. |
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|a3 sound files (ca. 249 min.) |
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|a040853 |
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|aAccess open for research, personal copies and public use. |
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|aRecorded on 9-10 April 2012 in Melbourne, Vic. |
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|aGailene Stock speaks about her family background; taking up dancing as a young child; her schooling; contracting poliomyelitis as a child; her hospital experiences; the Sister Kenny method; treatment and financial implications; her car accident and its implications; resuming her dance training, Paul Hammond; ballet exams; auditioning for the Australian Ballet, being offered a contract; changing her name; her previous training in the Cecchetti method; Dame Ninette de Valois; Margaret Scott's classes; taking up a bursary offered by the Royal Academy of Dance (London); passing Advanced and Solo Seal ballet exams of the Royal Academy of Dance; living in London and conditions; classes and teachers at the Royal Ballet School; training and performing in Europe; Rosella Hightower; injuries; rejoining the Australian Ballet in Nice (1965); changes to her dancing style; tours to NZ by the Australian Ballet in the 1960s; the recurrence of her polio symptoms; her sisters and their careers and families; her marriage to Gary Norman; becoming a soloist and her roles; performing in Russia; Antony Tudor; John Butler; resigning from the Australian Ballet, Robert Helpmann's reaction; Rudolf Nureyev. |
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|aStock discusses joining the Royal Ballet of Canada and highlights; joining the Royal Winnipeg Ballet, her roles; returning to Australia to join the Australian Ballet; Anne Woolliams; Marilyn Jones; taking on the directorship of the National Theatre Ballet School; ballet syllabi; taking on the directorship of the Australian Ballet School; teachers and students at the School during her directorship; Maina Gielgud; Erik Bruhn's productions in Canada; being offered the job as director of the Royal Ballet School and her acceptance; her vision for the school; student accommodation; philanthropic activities and funding arrangements; the syllabus; accreditation for students; their future beyond dance; choreography at the Royal Ballet School; outreach programs at the school; teacher training courses; Mark Annear; choreography; the Royal College of Music; Ross Stretton; her daughter's career in Japan, Paris and London; future directions for her career; her sense of purpose at the Royal Ballet School, recommending her students for positions in companies around the world. |
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|aMode of access: Online. |
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|aTimed summary (6 p.) and uncorrected transcript (typescript, 127 leaves) |
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|aStock, Gailene,|d1946-|vInterviews. |
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|aRoyal Ballet School (Great Britain) |
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2 |
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|aAustralian Ballet|xHistory. |
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|aBallet|zAustralia|xHistory. |
| 650 |
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0 |
|aBallet dancers|zAustralia. |
| 650 |
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0 |
|aPoliomyelitis|zAustralia. |
| 700 |
1 |
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|aPotter, Michelle,|d1944-|4ivr |
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|uhttp://nla.gov.au/nla.oh-vn5894084 |