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Tim Whelan interviewed by John Meredith in John Meredith folklore collection [sound recording]
Bib ID 1417056
Format AudioAudio [sound recording]
Author
Whelan, Tim, 1914-1989, Interviewee
 
Access Conditions Access open for research and personal copies; written permission required for public use. 
Description 1988 Sept. 10 
3 sound tape reels (ca. 59 min.) 
Series

John Meredith folklore collection.

Summary

Folkloric recording. Tim Whelan, folk musician, plays the flute and discusses the whistle and the flute.

Full contents
  • 1. Conversation: Whistle workshops, techniques, demonstrations, arrival in Australia in 1967, Celtic Music Group of South Australia, the difference between rhythm and playing in time, obtaining a clear tone, "talking in" the note, double and triple tonguing, the oral history of the tin whistle, triple tonguing examples, the Ian Simpson wooden whistle, how to prevent other people playing one's whistle, polka tunes better than reels for bush-dancing, the nature of Celtic music, warbles and trills, interpreting a tune, Bonnie Doon, workshop tunes, assessment of the Ian Simpson whistle, the history of Oliver Goldsmith's walking stick flute, now owned by Whelan
  • 2. Bold Fenian Men (played on Goldsmith's flute)
  • 3. O'Keefe's slide (played on Goldsmith's flute)
  • 4. Streets of Forbes (played on Goldsmith's flute)
  • 5. Kelly the boy from Killane (played on Goldsmith's flute).
 
Notes

Recorded with Jamie Carlin

Recorded at Penneshaw, Kangaroo Island, S. Aust. on Sept. 10, 1988.

Digital master available National Library of Australia

Subjects Whelan, Tim, 1914-1989 -- Interviews.  |  Flute music.  |  Folk musicians -- South Australia -- Kangaroo Island -- Interviews.  |  Whistling.
Other authors/contributors Meredith, John, 1920-2001, Interviewer  |  Willis, Rob, 1944-, Interviewer
000 02325cid a2200373 a 4500
001 1417056
005 20190113020306.0
008 990730s1988    xx dfn         t    eng  
019 1 |a20256122
033 0 0 |a19880910
035 |9(AuCNLDY)2801459
035 |a1417056
040 |aANL:O|beng|cANL:O|dANL
042 |aanuc
043 |au-at-sa
100 1 |aWhelan, Tim,|d1914-1989.|4ive
245 1 0 |aTim Whelan interviewed by John Meredith in John Meredith folklore collection|h[sound recording].
260 |c1988 Sept. 10.
300 |a3 sound tape reels (ca. 59 min.)
306 |a005912
500 |aRecorded with Jamie Carlin
505 0 |a1. Conversation: Whistle workshops, techniques, demonstrations, arrival in Australia in 1967, Celtic Music Group of South Australia, the difference between rhythm and playing in time, obtaining a clear tone, "talking in" the note, double and triple tonguing, the oral history of the tin whistle, triple tonguing examples, the Ian Simpson wooden whistle, how to prevent other people playing one's whistle, polka tunes better than reels for bush-dancing, the nature of Celtic music, warbles and trills, interpreting a tune, Bonnie Doon, workshop tunes, assessment of the Ian Simpson whistle, the history of Oliver Goldsmith's walking stick flute, now owned by Whelan -- 2. Bold Fenian Men (played on Goldsmith's flute) -- 3. O'Keefe's slide (played on Goldsmith's flute) -- 4. Streets of Forbes (played on Goldsmith's flute) -- 5. Kelly the boy from Killane (played on Goldsmith's flute).
506 |aAccess open for research and personal copies; written permission required for public use.
518 |aRecorded at Penneshaw, Kangaroo Island, S. Aust. on Sept. 10, 1988.
520 |aFolkloric recording. Tim Whelan, folk musician, plays the flute and discusses the whistle and the flute.
530 |aDigital master available|bNational Library of Australia|dnla.obj-831149282
600 1 0 |aWhelan, Tim,|d1914-1989|vInterviews.
650 0 |aFlute music.
650 0 |aFolk musicians|zSouth Australia|zKangaroo Island|vInterviews.
650 0 |aWhistling.
700 1 |aMeredith, John,|d1920-2001.|4ivr
700 1 |aWillis, Rob,|d1944-|4ivr
773 0 |tJohn Meredith folklore collection|w(AuCNL)2687559
830 0 |aJohn Meredith folklore collection.
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Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the author’s attitude or that of the period in which the item was created and may now be considered offensive.