02972cam a22003972u 4500001000800000005001700008007001400025008004100039035002000080037001900100040002700119091000800146100001900154245014700173260006800320300001000388500019000398520134400588530008001932533008102012650003302093650003002126650002102156650002302177650002102200650002602221650002402247650003402271653004902305653004802354655003602402655003002438655002702468856003702495984004202532540120520181011151931.0he u||024||||080220s1981 xxu ||| b ||| s eng d 9(ericd)ED204770 aED204770bERIC aericdbengcericddMvI amfm1 aSmith, C. Zoe.13aAn Alternative View of the Thirtiesh[microform] :bThe Industrial Photographs of Lewis Wickes Hine and Margaret Bourke-White /cC. Zoe Smith. a[Washington, D.C.] :bDistributed by ERIC Clearinghouse,c1981. a17 p. aERIC Note: Paper presented at the Annual Meeting of the Association for Education in Journalism (64th, East Lansing, MI, August 8-11, 1981). Some pages may not reproduce clearly.5ericd aThe photographs of Margaret Bourke-White and Lewis Wickes Hine are graphic accounts of the urban industrial United States during the Depression of the 1930s. Hine was a sociologist who initially used his camera to promote social reform and is best remembered for his photographs of immigrants at Ellis Island, New York, and of children laboring in coal mines and textile mills. He later concentrated his photography on Americans on the job, especially when that job meant working with machinery, hoping to depict the true dignity and integrity of labor. Documenting what was good about laborers--their control over themselves and their machines, and the dependence of one laborer upon another--motivated his earlier work. Margaret Bourke-White was more intrigued by architecture and industry, although she photographed a variety of subjects during her career with "Fortune" and "Life" magazines. Bourke-White seemed not to have appreciated or understood the worker's relationship to industrialized society. To her, machines were a series of beautiful patterns to which she attributed human qualities. In her photographs, humans merely served as reference points from which to judge the tremendous size of machines. Her lack of compassion in these early industrial photographs is what clearly distinguishes her work from that of Hine. (HTH) aMay also be available online. Address as at 14/8/18: uhttps://eric.ed.gov/ aMicrofiche.b[Washington D.C.]:cERIC Clearinghouseemicrofiches : positive.17aComparative Analysis.2ericd07aIndustrialization.2ericd17aIndustry.2ericd07aJournalism.2ericd17aLaborers.2ericd17aMachine Tools.2ericd17aPhotography.2ericd17aUnited States History.2ericd1 aBourke White (Margaret)aHine (Lewis Wickes)0 aDepression (Economic 1929)aPhotojournalism 7aSpeeches/Meeting Papers.2ericd 7aReports, Research.2ericd 7aOpinion Papers.2ericd41uhttps://eric.ed.gov/?id=ED204770 aANLcmc 2253 ED204770d77000000211949