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Crossover cinema : cross-cultural film from production to reception / edited by Sukhmani Khorana
Bib ID 6292644
Format BookBook [text, volume]
Description New York : Routledge, 2013 
x, 172 pages : illustrations ; 24 cm. 
ISBN 9780415630924
0415630924
Series

Routledge advances in film studies ; 25.

Summary

"Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world. This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption."--

Notes

Includes bibliographical references and index.

Subjects Motion picture industry -- Economic aspects -- Foreign countries.  |  Australian
Other authors/contributors Khorana, Sukhmani, 1984- editor of compilation
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245 0 0 |aCrossover cinema :|bcross-cultural film from production to reception /|cedited by Sukhmani Khorana.
264 1 |aNew York :|bRoutledge,|c2013.
300 |ax, 172 pages :|billustrations ;|c24 cm.
336 |atext|btxt|2rdacontent
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338 |avolume|bnc|2rdacarrier
490 1 |aRoutledge advances in film studies ;|v25
520 |a"Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world. This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption."--|cProvided by publisher.
504 |aIncludes bibliographical references and index.
650 0 |aMotion picture industry|xEconomic aspects|zForeign countries.
653 |aAustralian
700 1 |aKhorana, Sukhmani,|d1984-|eeditor of compilation.
830 0 |aRoutledge advances in film studies ;|v25.
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985 |a1768
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