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The light fades but the gods remain / Bill Henson
Bib ID 8041998
Format BookBook [still image, text, volume]
Author
Henson, Bill, 1955-, photographer
 
Description Port Melbourne, Victoria : Thames & Hudson Australia, 2019 
©2019 
165 pages : colour illustrations ; 34 cm. 
ISBN 9781760760434 (hardback)
Summary

A significant publication of images by one of Australia's most extraordinary imaginations. The Light Fades but the Gods Remain, accompanied by an exhibition of both series of work at Monash Gallery of Art, celebrates an extraordinary artist at two stages in his career. The publication includes extracts by various authors who have had an impact on Henson, as well as text by Monash Gallery of Art Senior Curator Pippa Milne. Over thirty years have passed since Bill Henson made his iconic Untitled 1985/86 series. These mesmerising photographs cast a hazy procession of people and places from Melbourne's suburb of Glen Waverley, interspersed with dreamlike vignettes of Egyptian structures. Now, commissioned by Monash Gallery of Art, Henson has revisited his home suburb to create new work. While these photographs return to Glen Waverley, they show an environment that appears to have slipped out of linear time. Henson's new images are sumptuous and resplendent in their grandeur, offering a view of what is 'just down the street', but seem to come from another age. Together, the two series provide a glimpse into Henson's brilliant mind as he ponders the passing of time.

Subjects Henson, Bill, 1955- -- Exhibitions.  |  Photography & photographs.  |  Photography, Artistic -- Exhibitions.  |  Photography -- Victoria -- Exhibitions.  |  Home in art.  |  Glen Waverley (Vic.) -- Photographs.  |  Glen Waverley (Vic.) -- In art.  |  Australian
Other authors/contributors Milne, Pippa, writer of added text  |  Monash Gallery of Art, sponsoring body
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020 |a9781760760434|qhardback
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040 |aANL|beng|erda|dANL|dNJB|dANL
042 |aanuc
043 |au-at-vi
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100 1 |aHenson, Bill,|d1955-,|ephotographer.
245 1 4 |aThe light fades but the gods remain /|cBill Henson.
264 1 |aPort Melbourne, Victoria :|bThames & Hudson Australia,|c2019.
264 4 |c©2019.
300 |a165 pages :|bcolour illustrations ;|c34 cm.
336 |astill image|bsti|2rdacontent
336 |atext|btxt|2rdacontent
337 |aunmediated|bn|2rdamedia
338 |avolume|bnc|2rdacarrier
520 |aA significant publication of images by one of Australia's most extraordinary imaginations. The Light Fades but the Gods Remain, accompanied by an exhibition of both series of work at Monash Gallery of Art, celebrates an extraordinary artist at two stages in his career. The publication includes extracts by various authors who have had an impact on Henson, as well as text by Monash Gallery of Art Senior Curator Pippa Milne. Over thirty years have passed since Bill Henson made his iconic Untitled 1985/86 series. These mesmerising photographs cast a hazy procession of people and places from Melbourne's suburb of Glen Waverley, interspersed with dreamlike vignettes of Egyptian structures. Now, commissioned by Monash Gallery of Art, Henson has revisited his home suburb to create new work. While these photographs return to Glen Waverley, they show an environment that appears to have slipped out of linear time. Henson's new images are sumptuous and resplendent in their grandeur, offering a view of what is 'just down the street', but seem to come from another age. Together, the two series provide a glimpse into Henson's brilliant mind as he ponders the passing of time.
600 1 0 |aHenson, Bill,|d1955-|vExhibitions.
650 7 |aPhotography & photographs.|2thema
650 0 |aPhotography, Artistic|vExhibitions.
650 0 |aPhotography|zVictoria|vExhibitions.
650 0 |aHome in art.
651 0 |aGlen Waverley (Vic.)|vPhotographs.
651 0 |aGlen Waverley (Vic.)|vIn art.
653 |aAustralian
700 1 |aMilne, Pippa,|ewriter of added text.
710 2 |aMonash Gallery of Art,|esponsoring body.
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Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the author’s attitude or that of the period in which the item was created and may now be considered offensive.