Cinesonic : cinema and the sound of music / edited by Philip Brophy
- Bib ID:
- 1993791
- Format:
- Book
- Author:
- Cinesonic (2nd :, 1999 : Melbourne, Victoria)
- Description:
-
- North Ryde, N.S.W. : Australian Film Television & Radio School ; St. Leonards, N.S.W. ; Allen & Unwin, 2000
- vii, 224 p. : ill. ; 21cm.
- ISBN:
- 1876351098 (paperback)
- Full contents:
-
- Part One: Issues in sound design and film scores
- Designing a movie for sound
- Randy Thom in conversation
- Referenced films: Apocalypse Now, Once Upon a Time in the West, Forrest Gump, Eraserhead, The Black Stallion, Contact, Wild at Heart
- Recording for Godard
- Francois Musy in conversation
- Referenced films: Hail Mary, Passion, Prenom: Carmen, Soigne Ta Droite, King Lear
- Sampling the cinema
- David Shea in conversation
- Referenced films: A Better Tomorrow, Shock Corridor, Fellini's Satyricon, Tom and Jerry
- Part Two: Transmissions from beyond the cinema
- The Kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer
- Kodwo Eshun
- Referenced videos: by Hype Williams - Missy Elliot, Busta Rhymes, Busta Rhymes with Janet Jackson, Ginuine - and by Michel Gondry - Daft Punk
- My aisles of golden dreams: the beauty of supermarket music
- Joseph Lanza
- Referenced films: Grand Hotel, Bedazzled, Rome Adventure, Love in the Afternoon, The Apartment, The Stepford Wives, There's Something about Mary
- Sonic darkness: notes towards an aesthetic of jass in the American film noir
- John Conomos
- Referenced films: Laura, Force of Evil, Anatomy of a Murder, The Man with the Golden Arm, The Sweet Smell of Success
- Part Three: Encodings of orchestral statement
- Drums along the LA river: scoring the Indian
- Claudia Gorbman
- Referenced films: Stagecoach, Broken Arrow, A Man Called Horse, Dances with Wolves
- The world heard: music, nature, film
- Evan Eisenberg
- Referenced films: Hail Mary, The Magic Flute, Ran, Flying Down to Rio, Run Lola Run, Lucky People Centre International
- The original Ludwig van (and others): classical music as cultural marker
- Roger Hillman
- Referenced films: Our Hitler, The Marriage of Maria Braun, The Patriot, Lessons of Darkness, The Spider's Stratagem, Black Holiday, Night of San Lorenzo
- Part Four: Constructs of recorded sound
- Lang's sound
- Adrian Martin
- Referenced films: House by the River, Scarlet Street
- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution
- Francois Thomas
- Referenced films: Citizin Kane, The Lady from Shanghai, Othello, F for Fake
- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain
- Philip Brophy
- Referenced films: Mix Me a Person, An Independent Life, Kwaidan, Black River.
- Notes:
-
- Includes index.
- Bibliography.
- Subject:
- Other authors/contributors:
- Also Titled:
- Cinema and the sound of music
- Copyright:
-
In Copyright
You may copy under some circumstances, for example you may copy a portion for research or study. Order a copy through Copies Direct to the extent allowed under fair dealing. Contact us for further information about copying.
Copyright status was determined using the following information:
- Material type:
- Literary Dramatic Musical
- Published status:
- Published
- Publication date:
- 2000
Copyright status may not be correct if data in the record is incomplete or inaccurate. Other access conditions may also apply. For more information please see: Copyright in library collections.
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