The cinema of Max Ophuls : magisterial vision and the figure of woman / Susan M. White
- Bib ID:
- 801706
- Format:
- Book
- Author:
- White, Susan M
- Description:
-
- New York : Columbia University Press, c1995
- 384 p. : ill. ; 24 cm.
- ISBN:
-
- 0231101120 (cl)
- 0231101139 (paperback)
- Invalid ISBN:
- 9430573
- Series:
- Film and culture.
- Full contents:
-
- 1. Circulation and Scapegoating in Lachende Erben (Happy Heirs). Die verkaufte Braut (The Bartered Bride), and Liebelei
- 2. The Economy of the Feminine in Madame de .... Komedie om Geld (Comedy about Money), Sans Lendemain (No Tomorrow), and The Reckless Moment
- 3. Directorial Protocol and the Failed Sacrifice in De Mayerling a Sarajevo
- 4. Aggressivity, Image, and Sound in Letter from an Unknown Woman
- 5. To Hear Is to Obey: The Acoustical Imperative in La Signora di Tutti, Werther, and Lachende Erben
- 6. Spectacle, Economics, and the Perils of Directorship in Le Plaisir, La Ronde, and Caught
- 7. Closing the Circle: Lola Montes, Divine, and La Tendre Ennemie.
- Notes:
-
- Filmography: p. [365]-371.
- Includes bibliographical references (p. [305]-364) and index.
- Subject:
- Copyright:
-
In Copyright
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Copyright status was determined using the following information:
- Material type:
- Literary, dramatic or musical work
- Published status:
- Published
- Publication date:
- 1995
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